{"id":22610,"date":"2011-07-29T10:48:30","date_gmt":"2011-07-29T17:48:30","guid":{"rendered":"http:\/\/uprisingradio.org\/home\/?p=22610"},"modified":"2011-07-29T10:59:10","modified_gmt":"2011-07-29T17:59:10","slug":"a-good-man-forced-to-become-the-man-he-despises-in-devils-double","status":"publish","type":"post","link":"https:\/\/uprisingradio.org\/home\/2011\/07\/29\/a-good-man-forced-to-become-the-man-he-despises-in-devils-double\/","title":{"rendered":"&#8220;A Good Man Forced To Become The Man He Despises&#8221; in &#8216;Devil&#8217;s Double&#8217;"},"content":{"rendered":"<p><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-072911\/2011_07_29_kim.mp3\">Listen to this segment <\/a><\/li><\/ul><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-072911\/2011_07_29_uprising.mp3\">Listen to the entire program<\/a><\/li><\/ul><\/p>\n<p><a href =\"http:\/\/www.rethinkreviews.net\"><img decoding=\"async\" align=right width=55% src=\"\/home\/graphics\/rethink_reviews_small.jpg\" alt=\"Rethink Reviews\" \/><\/a><strong>Taking a deeper look at current and past films and how they relate to the world today. <\/strong><\/p>\n<p><em>Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. <\/em><\/p>\n<p>Read his reviews online at <a href=\"http:\/\/ReThinkReviews.net\">ReThinkReviews.net<\/a>. Watch his videos at <a href=\"http:\/\/www.youtube.com\/user\/jsjkim\">www.youtube.com\/user\/jsjkim<\/a>, and follow him on Twitter at <a href=\"http:\/\/twitter.com\/ReThinkReviews\">twitter.com\/ReThinkReviews<\/a>. ReThink Reviews&#8217; theme song is by <a href=\"http:\/\/www.myspace.com\/restaurantmusic\">Restavrant<\/a>. <\/p>\n<p><strong>Devil&#8217;s Double<\/strong><\/p>\n<p>Imagine if the cruelest, most psychotic gangster on earth chose YOU to be his body double and impersonator to fill in at public appearances and be a target for would-be assassins. Now imagine he also wanted to be your best friend, and that he\u2019d kill your family if you refused. Now imagine this deadly mental case\u2019s father was the dictator of an oil-rich middle eastern country, and you have \u2018The Devil\u2019s Double\u2019, an extraordinary new film based on the true story of Latif Yahia, an Iraqi soldier who was chosen in the late 80s to be the double of Uday Hussein, the sadistic eldest son of Saddam Hussein. \u2018The Devil\u2019s Double\u2019 is probably the best film I\u2019ve seen all year, and that is largely due to the truly astonishing performance by Dominic Cooper, who plays both Uday and Latif in what has got to be one of the most mesmerizing performances in movie history. No, I am not exaggerating.<\/p>\n<p>Films like \u2018The Social Network\u2019 have shown us that advances in digital filmmaking have made it possible to convincingly have one actor play two characters onscreen. But Dominic Cooper\u2019s riveting performance takes this to a new level as he not only plays a homicidal nutbag and the man he\u2019s essentially taken hostage, but also the hostage trying to impersonate the homicidal nutbag. <\/p>\n<p>Cooper\u2019s performances as Latif and Uday are so radically different, and the technology so seamless, that you will quickly and easily accept that these are two completely different people. And if you do find yourself pondering the fact that Uday and Latif are played by the same actor, you\u2019ll probably be thinking: \u201cMan, those effects are amazing!\u201d and\/or \u201cI cannot believe how incredible this Dominick Cooper guy is. Where did he come from?\u201d<\/p>\n<p>Well, he came from England, where the handsome, ripped 33-year-old has quickly been distinguishing himself as one of the most promising talents of a generation, with standout roles in British theater and TV, and recently in successful films like \u2018An Education\u2019, \u2018Mamma Mia!\u2019, and \u2018Captain America\u2019. Trust me, you\u2019re going to be hearing a lot more from this guy.<\/p>\n<p>The bright, widescreen digital cinematography gives the opulent settings the slick feel of a modern-day rap or gangster video juiced with over-the-top 80s extravagance. When violence comes in \u2018The Devil\u2019s Double\u2019, it is always shocking, and often heartbreaking. Uday, as a character, is one of the most terrifying, repugnant movie villains of all time, a murderous, self-obsessed, unrepentant rapist and torturer who is completely untouchable. In the eyes of his victims we not only see their pain, but the pain Uday\u2019s existence causes the people of Iraq. Latif is utterly sympathetic as a good man forced to become the man he despises, just hoping to survive with his soul intact. Perhaps my only quarrel with \u2018The Devil\u2019s Double\u2019 is French actress Ludivine Sagnier, who plays Uday\u2019s favorite girl who quickly falls for Latif. While that might\u2019ve happened in real life, it\u2019s a bit clich\u00e9, and while Sagnier is good at playing super sexy and is apparently a good actress, she does slow things down later in the film. <\/p>\n<p>But that takes little away from this remarkable movie that could be classified as a gangster\/spy\/serial killer\/kidnapping\/love triangle\/political\/historical\/mafia\/Hitchcockian\/action thriller. Again, I\u2019m not exaggerating, Dominick Cooper gives what is quite possibly the greatest performance I\u2019ve ever seen, making \u2018The Devil\u2019s Double\u2019 feel not only like a quantum leap for digital filmmaking and genre, but of acting, with Cooper achieving something that will be studied and admired for generations to come.<\/p>\n<p>\u2018The Devil\u2019s Double\u2019 is rated R and opens today in New York and Los Angeles. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking a deeper look at current and past films and how they relate to the world today. Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. Read his reviews online at ReThinkReviews.net. Watch his videos at www.youtube.com\/user\/jsjkim, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[33],"tags":[],"class_list":["post-22610","post","type-post","status-publish","format-standard","hentry","category-rethink-reviews"],"_links":{"self":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/22610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/comments?post=22610"}],"version-history":[{"count":0,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/22610\/revisions"}],"wp:attachment":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/media?parent=22610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/categories?post=22610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/tags?post=22610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}