{"id":22810,"date":"2011-08-05T10:47:44","date_gmt":"2011-08-05T17:47:44","guid":{"rendered":"http:\/\/uprisingradio.org\/home\/?p=22810"},"modified":"2011-08-05T19:09:11","modified_gmt":"2011-08-06T02:09:11","slug":"inventive-planet-of-the-apes-remake-silly-fun-with-serious-message","status":"publish","type":"post","link":"https:\/\/uprisingradio.org\/home\/2011\/08\/05\/inventive-planet-of-the-apes-remake-silly-fun-with-serious-message\/","title":{"rendered":"Inventive &#8216;Planet of the Apes&#8217; Remake &#8220;Silly Fun&#8221; With Serious Message"},"content":{"rendered":"<p><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-080511\/2011_08_05_kim.mp3\">Listen to this segment <\/a><\/li><\/ul><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-080511\/2011_08_05_uprising.mp3\">Listen to the entire program<\/a><\/li><\/ul><\/p>\n<p><a href =\"http:\/\/www.rethinkreviews.net\"><img decoding=\"async\" align=right width=55% src=\"\/home\/graphics\/rethink_reviews_small.jpg\" alt=\"Rethink Reviews\" \/><\/a><strong>Taking a deeper look at current and past films and how they relate to the world today. <\/strong><\/p>\n<p><em>Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. <\/em><\/p>\n<p>Read his reviews online at <a href=\"http:\/\/ReThinkReviews.net\">ReThinkReviews.net<\/a>. Watch his videos at <a href=\"http:\/\/www.youtube.com\/user\/jsjkim\">www.youtube.com\/user\/jsjkim<\/a>, and follow him on Twitter at <a href=\"http:\/\/twitter.com\/ReThinkReviews\">twitter.com\/ReThinkReviews<\/a>. ReThink Reviews&#8217; theme song is by <a href=\"http:\/\/www.myspace.com\/restaurantmusic\">Restavrant<\/a>. <\/p>\n<p><strong>Rise of the Planet of the Apes<\/strong><\/p>\n<p>In the original 1968 film \u2018Planet of the Apes\u2019, astronauts land on a planet populated by talking, civilized apes, where the languageless humans are the ones treated like dumb animals. The new film \u2018Rise of the Planet of the Apes\u2019 is essentially a spoiler for the original as well as this modernized origin story, since the planet in question is, naturally, earth. <\/p>\n<p>But even though I\u2019d seen the original film and knew that this one would eventually end with an ape victory, I rarely knew what would happen next. And the computer generated apes, which were created using performance capture technology, are so wonderfully expressive, soulful, and realistic, that \u2018Rise of the Planet of the Apes\u2019 ends up being much better than I\u2019d imagined it would be, as well as a revenge fantasy for animal rights activists.<\/p>\n<p>The path to primate revolution starts out at a pharmaceutical company where scientist Will Rodman, played by James Franco, is working on a treatment that will help cure degenerative brain disorders like the Alzheimer\u2019s eating away at his father, played by John Lithgow. Will is amazed to see that not only does his drug reverse the effects of Alzheimer\u2019s, but also increases the intelligence of the chimps the drug is tested on. But when Will\u2019s star chimp, Bright Eyes, goes berserk and has to be put down, Will is forced to abandon his research and adopt the baby chimp Bright Eyes left behind. <\/p>\n<p>That baby, who\u2019s named Caesar and is performed by actor Andy Serkis, eventually grows into an adolescent chimp who displays the heightened intelligence of his mother, inspiring Will to continue his research in secret and use his father as a guinea pig. And, like most teenagers, Caesar is beginning to wonder about who he is and his place in the world, and he\u2019s troubled by the realization that he might be some sort of pet, or at most, a second-class citizen denied the rights of his furless, self-proclaimed masters.<\/p>\n<p>After a run-in with a neighbor, Caesar is sent to a primate facility, where he\u2019s stung by Will\u2019s betrayal and is outraged by the prison-like conditions and the harsh treatment his new captors seem happy to inflict on Caesar and his fellow inmates. So Caesar hatches a plan to break himself and the other apes out of the facility, which becomes a call not just for revolution, but evolution when Caesar learns how to increase the intelligence of his compatriots.<\/p>\n<p>While many see \u2018Rise of the Planet of the Apes\u2019 as slightly silly summer fun, the film deserves a lot of credit for the risks it takes \u2014 namely, that over half the movie is centered around a character who can\u2019t talk in what is, in many ways, a primate coming-of-age story. But Serkis is so talented and the performance capture technology is so good that Caesar\u2019s emotions play clearly across his entire body, especially his wonderfully expressive face. <\/p>\n<p>And the emotion we see most often on Caesar\u2019s face is not anger, but a growing indignation and outrage at the way humans treat those they deem lesser than them. For Caesar, human cruelty invalidates any claim of moral or intellectual superiority, a sentiment many humans would agree with. And what\u2019s amazing is that even though the culmination of Caesar\u2019s revolution will eventually lead to a species demotion for humans, you\u2019ll find yourself rooting for Caesar and his scrappy band of primates as they fight for their freedom through the streets of San Francisco. <\/p>\n<p>Maybe that\u2019s an acknowledgment that after mankind\u2019s shabby treatment of the environment and our fellow animals, a little cinematic payback is way overdue. <\/p>\n<p>\u2018Rise of the Planet of the Apes\u2019 is rated PG-13 and opens today.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking a deeper look at current and past films and how they relate to the world today. Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. Read his reviews online at ReThinkReviews.net. Watch his videos at www.youtube.com\/user\/jsjkim, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[33],"tags":[],"class_list":["post-22810","post","type-post","status-publish","format-standard","hentry","category-rethink-reviews"],"_links":{"self":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/22810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/comments?post=22810"}],"version-history":[{"count":0,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/22810\/revisions"}],"wp:attachment":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/media?parent=22810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/categories?post=22810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/tags?post=22810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}