{"id":24431,"date":"2011-09-30T10:03:00","date_gmt":"2011-09-30T17:03:00","guid":{"rendered":"http:\/\/uprisingradio.org\/home\/?p=24431"},"modified":"2011-09-30T10:05:35","modified_gmt":"2011-09-30T17:05:35","slug":"rethink-reviews-5050","status":"publish","type":"post","link":"https:\/\/uprisingradio.org\/home\/2011\/09\/30\/rethink-reviews-5050\/","title":{"rendered":"ReThink Reviews &#8211; &#8217;50\/50&#8242;"},"content":{"rendered":"<p><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-093011\/2011_09_30_kim.mp3\">Listen to this segment <\/a><\/li><\/ul><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-093011\/2011_09_30_uprising.mp3\">Listen to the entire program<\/a><\/li><\/ul><\/p>\n<p><a href =\"http:\/\/www.rethinkreviews.net\"><img decoding=\"async\" align=right width=55% src=\"\/home\/graphics\/rethink_reviews_small.jpg\" alt=\"Rethink Reviews\" \/><\/a><strong>Taking a deeper look at current and past films and how they relate to the world today. <\/strong><em>Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. <\/em><\/p>\n<p>Read his reviews online at <a href=\"http:\/\/ReThinkReviews.net\">ReThinkReviews.net<\/a>. Watch his videos at <a href=\"http:\/\/www.youtube.com\/user\/jsjkim\">www.youtube.com\/user\/jsjkim<\/a>, and follow him on Twitter at <a href=\"http:\/\/twitter.com\/ReThinkReviews\">twitter.com\/ReThinkReviews<\/a>. ReThink Reviews&#8217; theme song is by <a href=\"http:\/\/www.myspace.com\/restaurantmusic\">Restavrant<\/a>. <\/p>\n<p><strong>50\/50<\/strong><\/p>\n<p>Cancer isn\u2019t something to laugh about. And when we think of movies about people with terminal illnesses, we mostly think of inspirational tales about appreciating life and the indomitability of the human spirit or weepy tearjerkers about love conquering death. The film \u201850\/50\u2019 takes the terminal illness movie into new territory. First, by combining it with an only recently identified genre \u2014 the bromance comedy. And second, by the fact that \u201850\/50\u2019\u2019s afflicted protagonist is barely in his late twenties, an age where it\u2019s hard enough to get perspective on your life, let alone face its early end.<\/p>\n<p>Joseph Gordon-Levitt plays Adam, a soft-spoken, unadventurous, unremarkable guy living a comfortable, relatively average life working for a radio station. Adam\u2019s relationship with Rachael, his attractive artist girlfriend played by Bryce Dallas Howard, is progressing to the next level, and for entertainment, Adam has his buddy Kyle, a juvenile but hilarious lothario played by Seth Rogen. <\/p>\n<p>After noticing a persistent back pain, Adam goes to a doctor, where a scan reveals the shocking news that Adam\u2019s pain is from a tumor along his spine caused by a rare form of cancer, and the prognosis isn\u2019t good, with only a 50\/50 chance of survival.<\/p>\n<p>As someone who has traded a more interesting life for a mundane one he can control, Adam does his best to absorb this horrible news and not make a big deal of it. Unfortunately, Adam\u2019s mom, played by Anjelica Huston is an over-involved worrier, a job she\u2019s grown used to while taking care of a husband with Alzheimer\u2019s. While Rachael initially pledges to stand by Adam, it soon becomes obvious that being Adam\u2019s primary support is more than their relationship can handle. Meanwhile, Kyle thinks Adam should use his cancer to score sympathy points with women and get them both laid, and the therapist assigned to help Adam deal with his condition, played by Anna Kendrick, looks to be barely out of college.<\/p>\n<p>\u201850\/50\u2019 is based on the true story of Will Reiser, the film\u2019s screenwriter, who also was diagnosed with cancer while in his 20s. At the time he and Seth Rogen were working together as young writers, and Rogen watched, as his character does, as his friend deteriorated in front of him. As a twenty-something ready to take on the world, Rogen could only respond to this by falling back on what he knew best, movies and comedy, joking with Reiser about his condition and encouraging him to write a script about it.<\/p>\n<p>Since then, Rogen has become Hollywood\u2019s clown prince based on his roles in Judd Apatow\u2019s manchild comedies, and he\u2019s a producer on \u201850\/50\u2019. This might be what gives \u201850\/50\u2019 its wonderfully intimate, personal feel. It\u2019s not a movie that makes grand statements about what life is and how we should live it. It\u2019s about what happens when a young, fairly uninteresting guy who never wanted to cause a fuss or take risks is faced with a situation where everyone is fussing over him as he faces the biggest risk of his life. And \u201850\/50\u2019 does this with tremendous heart and humor that never feels manipulative, jokey or contrived, with terrific performances by the entire cast.<\/p>\n<p>Men usually only shed tears at movies involving sports, but \u201850\/50\u2019 will have both men and women laughing and crying, which is often the hallmark of a great film. But it\u2019s hard not to see \u201850\/50\u2019 in terms of the evolution of its co-producer Seth Rogen. While there\u2019s still enough dirty humor to show that movies\u2019 biggest manchild hasn\u2019t fully grown up, \u201850\/50\u2019 shows that he also has a grasp of emotionally complex, adult moments, while staying true to the popular Apatow theme that it\u2019s your buddies, not your significant others, who always have your back. While cancer is serious business, \u201850\/50\u2019 shows that, with the right touch, it can also be hilarious.<\/p>\n<p>\u201850\/50\u2019 is rated R and opens today. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking a deeper look at current and past films and how they relate to the world today. Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. Read his reviews online at ReThinkReviews.net. Watch his videos at www.youtube.com\/user\/jsjkim, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[33],"tags":[],"class_list":["post-24431","post","type-post","status-publish","format-standard","hentry","category-rethink-reviews"],"_links":{"self":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/24431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/comments?post=24431"}],"version-history":[{"count":0,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/24431\/revisions"}],"wp:attachment":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/media?parent=24431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/categories?post=24431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/tags?post=24431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}