{"id":29901,"date":"2012-05-25T09:14:09","date_gmt":"2012-05-25T16:14:09","guid":{"rendered":"http:\/\/uprisingradio.org\/home\/?p=29901"},"modified":"2012-06-01T10:09:38","modified_gmt":"2012-06-01T17:09:38","slug":"rethink-reviews-the-dictator","status":"publish","type":"post","link":"https:\/\/uprisingradio.org\/home\/2012\/05\/25\/rethink-reviews-the-dictator\/","title":{"rendered":"ReThink Reviews &#8212; &#8220;The Dictator&#8221;"},"content":{"rendered":"<p><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/ia700507.us.archive.org\/31\/items\/DailyDigest-060112\/2012_05_25_kim.mp3\">Listen to this segment <\/a><\/li><\/ul><ul class=\"inline-playlist playlist\" title=\"\"><li><a href=\"http:\/\/www.archive.org\/download\/DailyDigest-060112\/2012_06_01_uprising.mp3\">Listen to the entire program<\/a><\/li><\/ul><\/p>\n<p><a href =\"http:\/\/www.rethinkreviews.net\"><img decoding=\"async\" align=right width=55% src=\"\/home\/graphics\/rethink_reviews_small.jpg\" alt=\"Rethink Reviews\" \/><\/a><strong>Taking a deeper look at current and past films and how they relate to the world today. <\/strong>  <\/p>\n<p><em>Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. <\/em>  <\/p>\n<p> Read his reviews online at <a href=\"http:\/\/ReThinkReviews.net\">ReThinkReviews.net<\/a>. Watch his videos at <a href=\"http:\/\/www.youtube.com\/user\/jsjkim\">www.youtube.com\/user\/jsjkim<\/a>, and follow him on Twitter at <a href=\"http:\/\/twitter.com\/ReThinkReviews\">twitter.com\/ReThinkReviews<\/a>. ReThink Reviews&#8217; theme song is by <a href=\"http:\/\/www.myspace.com\/restaurantmusic\">Restavrant<\/a>.    <\/p>\n<p><strong>The Dictator<\/strong><\/p>\n<p>Sacha Baron Cohen originally became famous because no one knew who he was, allowing him to play outrageous caricatures that unsuspecting people took seriously. Perhaps his best character and film was Borat, a racist, sexist, incestuous anti-Semite from Kazakhstan who was so na\u00efve and seemingly good hearted that people he interviewed were comfortable being prejudiced around him, providing some fascinating and hilarious social commentary as Borat traveled across America. Borat was such a ridiculous person that no one would think that he was representative of the people of Kazakhstan, but Cohen\u2019s next film and character, \u2018Br\u00fcno\u2019, was a gay German fashion designer who represented almost every gay stereotype imaginable without using it to secretly mock his unwitting subjects.<\/p>\n<p>With Cohen now a recognizable star, concealing his identity is no longer an option. So his new film, \u2018The Dictator\u2019, is a scripted affair, with Cohen playing Admiral General Aladeen, the cruel, ignorant dictator of a fictitious North African country called Wadiya. Aladeen travels to New York to speak in front of the U.N. and defend his nuclear ambitions. But while there, his doublecrossing Uncle Tamir (played by Ben Kingsley) orchestrates a failed assassination attempt that leaves Aladeen shaved of his trademark beard and thrown out on the street in beggars\u2019 rags, where he\u2019s taken in by a liberal activist named Zoey (played by Anna Faris) who gives Aladeen a job at the small organic co-op she runs. <\/p>\n<p>Tamir replaces Aladeen with a body double so he can pass a falsely democratic constitution that will allow Tamir to sell off Wadiya\u2019s oil, unless Aladeen and a former Wadiyan scientist (played by Jason Mantzoukas) can infiltrate the hotel where the constitution will be signed and return the real Aladeen to power. <\/p>\n<p>I was worried that \u2018The Dictator\u2019 would follow in the footsteps of \u2018Br\u00fcno\u2019, this time exaggerating stereotypes of Muslims and the Middle East. But the real targets of \u2018The Dictator\u2019 are despots and demagogues like Saddam Hussein, Mohammar Qaddafi, Osama bin Laden, and Kim Jong Il, for whom \u2018The Dictator\u2019 is jokingly dedicated. In that sense, Aladeen is a good match for Cohen since he resembles a meaner version of Borat, with Borat\u2019s naivety replaced by an arrogance and cluelessness borne from a lifetime of living in a bubble surrounded by yes men, flunkies, and obscene wealth. With mentions of Islam carefully avoided, \u2018The Dictator\u2019 proves that ridicule, not aggression, is a more effective way to undermine a tyrant.<\/p>\n<p>The problem is that this doesn\u2019t necessarily make for a great movie. Cohen\u2019s films are never long on plot, and without real people to play off of, the humor mostly consists of gross-out gags, Aladeen\u2019s stupidity, and the sexist insults he directs at Zoey, even as an unlikely romance between them grows. While \u2018Borat\u2019 and Cohen\u2019s hip hop character Ali G felt fresh and subversive, \u2018The Dictator\u2019 feels curiously safe as it follows the well-trod path of Will Ferrell and his long list of arrogant idiot characters. <\/p>\n<p>I appreciated the point \u2018The Dictator\u2019 makes about the illusion of democracy in China and throughout the Middle East, where freedom often means permission for a tiny elite to profit from selling off a nation\u2019s wealth. But an unexpected and welcome punch came at the end, where Aladeen explains that America would be much better off as a dictatorship since it would allow America to commit a long list of injustices that, in fact, America is committing right now. It\u2019s the one moment where \u2018The Dictator\u2019 feels truly clever, subversive, and incisive and while it\u2019s too little and too late to redeem the movie, there\u2019s something wonderful about the fact that we\u2019ve spent the whole film laughing at how backwards Aladeen is, but in the end, it turns out that America and our own illusion of freedom were the punchline all along.<\/p>\n<p>\u2018The Dictator\u2019 is rated R and opens today. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking a deeper look at current and past films and how they relate to the world today. Jonathan Kim is an independent film critic who writes and produces film reviews for Uprising and other outlets. He is a former co-producer at Brave New Films. Read his reviews online at ReThinkReviews.net. Watch his videos at www.youtube.com\/user\/jsjkim, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[33],"tags":[],"class_list":["post-29901","post","type-post","status-publish","format-standard","hentry","category-rethink-reviews"],"_links":{"self":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/29901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/comments?post=29901"}],"version-history":[{"count":0,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/posts\/29901\/revisions"}],"wp:attachment":[{"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/media?parent=29901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/categories?post=29901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uprisingradio.org\/home\/wp-json\/wp\/v2\/tags?post=29901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}