May 6, 2013 |
\nDavid Petraeus may be out of the military and Central Intelligence Agency but he\u2019s found a new role elsewhere \u2014 in the game \u201cCall of Duty: Black Ops II.\u201d Well, his likeness, that is. Set in the year 2025, the first-person shooter features Petraeus as the Secretary of Defense serving under a female President resembling Hillary Clinton. Gamers first see Petraeus on board an aircraft carrier named the \u201cUSS Barack Obama\u201d greeting an apprehended terrorist in an orange jumpsuit. While Petraeus was uninvolved in the game\u2019s production, his \u201cCall of Duty\u201d cameo reveals the symbiotic relationship between video games and U.S. militarism.<\/p>\n
\u201cMilitainment\u201d, which military expert P.W. Singer describes as the \u201cblurring of the line between entertainment and war\u201d is not a new phenomenon. Interacting with pop culture helps the military polish its image and gain recruits. There is an entertainment media division at the Pentagon devoted to advising production on films, television shows, documentaries, advertisements, computer games, and other forms of entertainment.<\/p>\n
Directors who wish to shoot films with scenes featuring the military request access to equipment and bases from the Pentagon, and in return, the Pentagon \u201cassists\u201d film production. This comes down to reviewing film scripts and advising the film\u2019s portrayal of the military. This helps filmmakers add realism to their films at a cheap price. However, it also tames filmmakers\u2019 vision by pressuring them to ensure that their films do not offend the military or risk receiving no Pentagon support.<\/p>\n
A similar relationship exists between the U.S. military and video game industry. According to an employee in the video game industry (who declined to be named for professional reasons), game companies commonly hire military advisors, who are either still in or left the military, to help with \u201cauthenticity.\u201d <\/p>\n